TaleFolio — A Studio for Comics, Manga & Webtoons

Your story,
in pages.

Describe your story. Pick a style. Get finished pages — 4 to 400 — with characters that stay recognizable across every panel of every page. Nothing else.

Begin your first comic See how it holds a face

Describe your story. Pick a style. Get finished pages — 4 to 400 — with characters that stay recognizable across every panel of every page. Nothing else.

Plate I — The Reference Sheet

Built once.
Held on every page.

Before a single panel is drawn, every character gets a reference sheet — face beside full costume, built from a photo or a description. Every panel after that is generated against it. That's the whole trick — and it's why the same two faces below stay themselves across every page of their story.

Isla's character reference sheet: close-up face panel beside a full-body view of her cream shawl and terracotta festival dress

Marlow's character reference sheet: close-up face panel beside a full-body view of his linen shirt and canvas jacket

The artifacts: one sheet per cast member — up to six per story, each face and costume locked.

Comic page: Isla arrives at the seaside lantern festival at dusk, writes her wish on a lantern, and Marlow sees her across the crowd — Page 1same cast, same sheets

Comic page: Isla releases her glowing lantern from the pier, Marlow says her name, and she turns with tears in her eyes — Page 2same cast, same sheets

Comic page: Isla and Marlow light his lantern together and watch the pair of lanterns rise over the bay at night — Page 3same cast, same sheets

Plate II — Page 1 to Page 400

Anyone can hold a face for four panels.
TaleFolio holds it for four hundred pages.

Stories run from 4 to 400 pages — and the cast is still themselves on the last one.

Book cover of The Lantern Evening: Isla and Marlow release a lantern from a pier under a sky full of rising lanterns at dusk — The Coverone complete book

Comic page: at a morning harbor market, Isla drops a lantern from her armful and Marlow, just off the ferry, catches it — "Yours?" "...Mine." — Page 1where it begins

Comic page: years later at the same festival, Isla in a wedding dress and Marlow in a linen suit release one lantern together on their wedding night — Page 400the same two faces

Plate III — The Formats

A format for print.
A format for the scroll.

The same scene, composed twice — a panel grid for the page, a vertical flow for the phone. Not one cropped into the other.

A printed comic page of the workshop scene: Isla and Marlow build a lantern in her workshop on a rainy evening, in a classic panel grid with speech bubbles — Comic page1664 × 2496

The same workshop scene recomposed as a vertical webtoon strip: four full-width panels flowing top to bottom for the phone scroll — Webtoon800 × 1280 vertical units

Webtoon is its own output setting: mobile-friendly 800 × 1280 vertical units in the standard platform spec, drawn for the format and ready to merge into one continuous scroll.

A splash page of Isla and Marlow at the pier's end by a lantern post, in heavy rain under a Prussian-blue sky — The page, as generated

The identical page regenerated at golden sunset — same pier, same poses, same faces, new weather — The same page, redone at sunset

Plate IV — The Editor's Desk

Fix page seven.
Keep the other 399.

Every page can be rerolled or edited on its own — the rest of the story keeps its identity. Three versions of each page are kept, and you can revert any time. No tool should answer “panel seven is wrong” with “regenerate everything.”

Plate V — 34 Languages, One Cast

Same story. Same faces.
Thirty-four languages.

A three-panel comic page at the harbor dock: Marlow boards the last ferry of summer promising to return, Isla answers — lettered in English — English

The identical page lettered in Spanish — same panels, same faces, same bubbles — Español

The identical page lettered in Korean — same panels, same faces, same bubbles — 한국어

The Catalogue — Twenty-One Styles

Every story is drawn in one of twenty-one styles — from ink-and-screentone manga to watercolor. The style changes how pages are drawn, never who your characters are: faces, hair and outfits hold in every one.